On June 13, 2022 -- on June 18, on June 22 -- on June 27, I had favour to attend Shanxi to save promotion of ability of teacher of backbone of class of county of junior high school to groom music of project junior high school two period groom, results is full, benefit a lot.
2022年6月13日——6月18日，6月22日——6月27日，我有幸参加了山西省初中县级骨干教师能力提升培训项目初中音乐两期的培训，收获满满，受益匪浅。
Although go up as a result of epidemic situation line,groom, but every professor attends class serious and responsibly to us, special acknowledgment. The Huang Mei that what I am interested most is Anhui Anqing makes fun of. Professor Chu Zhuyan of institute of art of drama of yellow plum of Anqing Normal University took us to study the inheritance that Huang Mei makes fun of and development together. I understand fur only before, captured an opportunity this to learn one time well. Huang Mei makes fun of, old call Huang Mei tone or collect tea to make fun of, call China 5 great type of drama with Beijing opera, Shaoxing opera, pinju, Henan opera. Yan Fengying of Great Master of play of generation yellow plum is person of Anqing of the Anhui province. Yellow Mei Hufa results from Hubei, Anhui, Jiangxi 3 provinces boundary is yellow Mei Duoyun hill, give one cause together with the play collecting tea of Edong and northeast of another name for Jiangxi Province, its are original the form is the song collecting tea that Hubei Huang Mei takes. Yellow plum play reads aloud with Anqing language sing, music for voices in a Chinese opera is honest and fluent, with lively and lyric be good at, have substantial expressional power; The performance that Huang Mei makes fun of is plain and meticulous, with true and lively celebrated. Yellow plum play comes from at folk, sex of Yue of suit both refined and popular tastes, happy affection, it affects an audience with full-bodied life breath and pure and fresh local flavor.
虽然由于疫情线上培训，但每位教授都认真负责地给我们上课，非常感谢。我最感兴趣的是安徽安庆的黄梅戏。安庆师范大学黄梅剧艺术学院的储著炎教授带我们一起学习了黄梅戏的传承与发展。我以前只了解皮毛，这次抓住机会好好学习了一番。黄梅戏，旧称黄梅调或采茶戏，与京剧、越剧、评剧、豫剧并称中国五大剧种。一代黄梅戏大师严凤英就是安徽省安庆人。黄梅戏发源于湖北、安徽、江西三省交界处黄梅多云山，与鄂东和赣东北的采茶戏同出一源，其最初形式是湖北黄梅一带的采茶歌。黄梅戏用安庆语言念唱，唱腔淳朴流畅，以明快抒情见长，具有丰富的表现力；黄梅戏的表演质朴细致，以真实活泼著称。黄梅戏来自于民间，雅俗共赏、怡情悦性，它以浓郁的生活气息和清新的乡土风味感染观众。
Huang Mei makes fun of since outstanding and traditional a list of plays " a beauty matchs " , " female emperor's son-in-law " , " husband and wife blacks out " and make up Girl Weaver of mythological drama cowboy newly " etc after moving screen, influence place and far already amount to abroad.
黄梅戏自从优秀传统剧目《天仙配》、《女驸马》、《夫妻关灯》和新编神话剧牛郎织女》等搬上银幕之后，影响所及已远达海外。
"Yellow plum show has grandma of a hunderd schools to be brought up. " Huang Mei makes fun of traceable Anhui, another name for Hubei province, another name for Jiangxi Province 3 provinces border and even circumjacent more the civilian words condition of length and breadth of land, this kind of unique district culture ecology was offerred to yellow plum play very advantageous generate with multiply space, brought up Huang Mei to make fun of be able to accept of be in harmony " a mixes accent " artistic vigor, gifted yellow plum play distinguishs the aesthetic tension at other type of drama.
“黄梅戏是吃百家奶长大的。”黄梅戏起源于皖、鄂、赣三省毗邻乃至周边更为广袤的民间语境，这种独特的地域文化生态给黄梅戏提供了非常有利的生成与繁衍空间，并造就了黄梅戏得以融纳“南腔北调”的艺术活力，赋予了黄梅戏区别于其他剧种的审美张力。
Because fizzle out,the root that at the beginning of plum play is generated from its, will grow needs implant the rich soil at civilian district, extensive derive all sorts of folk are literary enrage elite with the spirit of brotherly type of drama, its art form has friend extremely strong open sex and compatibility, because this kind is opened, is with compatible and the aesthetic tension of harbour, make yellow plum play cast off Beijing opera or Kunqu opera the sort of caky the show formula that uses hard, formed already standard at opera form and do not manacle the performance standard at opera form, realized qualitative leap finally, be unique in one's style, finished the luxuriant decay that from folk little joke makes fun of greatly to high table, rapid development is become in the whole nation and even abroad the opera type of drama that has major effect.
由于黄梅戏从其生成之初就将成长的根须深植于民间地域的肥沃土壤，广泛汲取各种民间文艺与兄弟剧种的灵气精华，故其艺术形态具有极强的开放性与兼容性，而正是因为这种开放与兼容并蓄的审美张力，使得黄梅戏摆脱了京剧或昆曲那种凝固难动的表演程式，形成了既规范于戏曲程式而又不束缚于戏曲程式的表演规范，最终实现了质的飞跃，自成一家，完成了从民间小戏到高台大戏的华丽蜕变，迅速发展成为在全国乃至海外都有重大影响的戏曲剧种。
The rudiment that Huang Mei makes fun of, it is Huang Mei the attune that collect tea and union of a variety of photograph of folk art form arise have a song, have dance, have the clue, small-sized program that has a conversation even. Huang Mei collects tea attune to be able to be united in wedlock with a variety of folk art, because actor of inchoate yellow plum play will include,be very wide " the attune that collect tea " belt to the outside as fend method, travel in vast area, use the primary on purpose that a variety of forms sing. Be like: Little joke of tradition of yellow plum play " escape water shortage " .
黄梅戏的雏形，是黄梅采茶调与多种民间艺术形式相结合产生的有歌、有舞、有情节、甚至有对话的小型节目。黄梅采茶调能与多种民间艺术结合，是由于早期的黄梅戏艺人将包罗甚广的“采茶调”带到外面做为谋生手段，在广阔的地区传播，采用多种形式演唱的原故。如：黄梅戏传统小戏《逃水荒》。
" escape water shortage " medium heroine introduced Huang Mei's victim to go out the circumstance that sing for a living supports oneself. Except with board attack pat sing opera arias, still use " chanting folk tales to the accompaniment of simple percussion instruments " , " flower-drum " , " even compartment " wait for artistic form to sing. Actually, outside eliminating afore-mentioned forms, still have " arhat picket " , " send a god which drivers awake pestilence " , " lotus falls " wait for a variety of folk art. In singing an activity for a long time, attune of tea of yellow Mei Cai and path musical instrument, lotus is sweet wait for union of folk art form to rise. Attune of tea of yellow Mei Cai and " path musical instrument " , " connect compartment " wait for union of folk art form to rise.
《逃水荒》中的女主角介绍了黄梅灾民外出卖唱维生的情况。除以板击拍清唱，还利用“道情”、“花鼓”、“连厢”等艺术形式演唱。实际上，除上述形式外，尚有“罗汉桩”、“送傩神”、“莲花落”等多种民间艺术。在长期的演唱活动中，黄梅采茶调与道琴、莲香等民间艺术形式结合起来了。黄梅采茶调与“道琴”、“连厢”等民间艺术形式结合起来了。
Attune of tea of yellow Mei Cai and chanting folk tales to the accompaniment of simple percussion instruments, flower-drum, fall even compartment, lotus, arhat picket, after sending the folk such as a god which drivers awake pestilence to sing artistic couple, developed to opera form gradually. These artistic forms, inside the traditional a list of plays that some still protects existence yellow plum to make fun of with former appearance, some affects Huang Mei to make fun of sing and perform.
黄梅采茶调与道情、花鼓、连厢、莲花落、罗汉桩、送傩神等民间演唱艺术结合之后，就逐渐向戏曲形式发展了。这些艺术形式，有的还以原貌保存在黄梅戏的传统剧目里面，有的则影响到黄梅戏的歌唱和表演。
Sing Huang Mei to make fun of at first, use simple percussion instrument only, beat gong play the drum by a person, this and " hit a beat to strike a gong " sing folk song the form of canzonet, and beat gong play the drum at the same time by a person " arhat village " about. The green open speech that gives yellow plum play major effect of course also is gong and drum accompanies, call somewhat " the feel uncertain that strike gong is troubled by Qing Yang " .
起初演唱黄梅戏，只用简单的打击乐器，由一个人敲锣打鼓，这与“打起鼓来敲起锣”唱民歌小调的形式，以及由一个人同时敲锣打鼓的“罗汉庄”有关。当然给予黄梅戏重大影响的青阳腔也是锣鼓伴奏，有所谓“敲锣打鼓闹青阳”。
Yellow plum show appears after half occupational class company, arose " 3 dozens 7 sing " constituent form, it is the person that every theatrical troupe has 3 to do percussion instrument and 7 actors. Original " 3 dozens " , point to 3 kinds of percussion instrument, namely bass drum, large gong (the name sifts gold) , small gong (call soup gong again) .
黄梅戏出现半职业的班社之后，产生了“三打七唱”的组织形式，就是每个戏班有三个操打击乐器者和七个演员。最初的“三打”，指三种打击乐器，即大鼓、大锣（又名筛金）、小锣（又称汤锣）。
These musical instrument are not class company provide for oneself, act to be used with respect to the audience to there however.
这些乐器并非班社自备，而是演到那里就向那里的观众借用。
Huang Mei makes fun of in the past drop of gong and drum is take from inside classics of civilian gong and drum a few use off-the-pegly, increase as show drama purpose later, sing, do the relative stability of the respect, it is mature that drop of gong and drum also is abounded subsequently rise.
黄梅戏早先锣鼓点子是从民间锣鼓经中拿一些现成的使用，后来随着演出剧目的增加，唱，做方面的相对稳定，锣鼓点子也随之丰富成熟了起来。
Yellow plum play is inchoate demonstrating an aspect, the part does not separate what line of business, use this voice completely. At the same time role of the woman on the stage, act by male actor completely almost, do not have bowstring again happy accompany, because this does not divide a men and women, not ask age place uses strain basic and identical, just form a few music for voices in a Chinese opera later the modulate that with keynote different palace fastens is sung with getting used to a men and women. As to unripe travel medium small unripe, old boy, the female role in dawn travel, the different age feature of dawn, pantaloon, fathom severally when sing by the actor master.
黄梅戏早期在表演方面，角色不分什么行当，全用本嗓。同时台上女性角色，几乎全由男性演员扮演，又没有弦乐伴奏，因此不分男女、不问年龄所用曲调基本相同，后来才形成一些唱腔的同主音不同宫系的转调以适应男女演唱。至于生行中的小生、老生，旦行中的花旦、正旦、老旦的不同年龄特征，则由演员在演唱时各自揣摩掌握。
Of new China hold water make Huang Mei play was just as the bright phearl that is buried greatly in clay to see the sun. This period is yellow plum play Mei Kaiyi spends period. Representing a person is Yan Fengying, Wang Shaofang.
新中国的成立使黄梅戏犹如深埋在泥土的明珠见到了太阳。这个时期就是黄梅戏梅开一度时期。代表人物是严凤英、王少舫。
11 of the party 3 in after plenary meeting, yellow plum play greeted its the 2nd spring, this is Mei Kaier degree. 1980, ma Lan, Wu Qiong, Wu Yaling, Yang Jun, Yuan Mei this yellow plum play 5 actors such as 5 gold flower and Jiang Jianguo, Chen Xiaocheng from the province artistic school fizzles out Mei Ban.
党的十一届三中全会以后，黄梅戏迎来了它的第二春天，这就是梅开二度。1980年，马兰、吴琼、吴亚玲、杨俊、袁枚这黄梅戏五朵金花和蒋建国、陈小成等五位男演员从省艺术学校黄梅班一同进入黄梅戏剧院。
"Mei Kaisan is spent " the Anhui province put forward 1997 " play card of good badge word, sing noisy Huang Mei to make fun of, construction culture is saved by force " culture job train of thought, artists were rolled out in succession again " harships beauty goes " , " swing is worn " , " badge city woman " , " badge city past " wait for big play, pulled open yellow plum play to march toward new century from this, cast new brilliant and prelusive. Huang Mei makes fun of first " 2 degrees of plums " Han Zaifen becomes first place of the Anhui province winner of 2 degrees of plums.
“梅开三度”安徽省于1997年提出了“打好徽字牌，唱响黄梅戏，建设文化强省”的文化工作思路，艺术家们又相继推出了《风雨丽人行》、《秋千架》、《徽州女人》、《徽州往事》等大戏，由此拉开了黄梅戏迈向新世纪，铸造新的辉煌序幕。黄梅戏首开“二度梅”韩再芬成为安徽省首位二度梅得主。
Finally, store the word that the teacher uses female color draws up markedly: The opera is the gem of China culture, key of career of prosperous progress opera is in person. Be! We regard middle school music as the teacher, certainly will should produce his power for traditional folk music of China, permeate at ordinary times in musical education, let ground of student exert a subtle influence on like to sing Huang Mei to make fun of, guide their edge to call edge play, understand traditional a list of plays not only: " a beauty matchs " " female emperor's son-in-law " , " husband and wife watchs the tube " , " cowboy Girl Weaver " , " hit greenfeed for pigs " , and innovation a list of plays, the group weaves, reveal each other to judge. Make generation of traditional opera generation descendant go.
最后，储老师用红颜色的字醒目地写出：戏曲是中华文化的瑰宝，繁荣发展戏曲事业关键在人。是啊！我们作为中学音乐教师，势必应该为中国的传统民族音乐发挥自己的力量，渗透到平时的音乐教学中，让学生潜移默化地喜欢唱黄梅戏，引导他们边唱边表演，不仅了解传统剧目：《天仙配》《女驸马》、《夫妻观灯》、《牛郎织女》、《打猪草》，而且创新剧目，小组编排，展示互评。让传统戏曲一代代传下去。